{"id":22275,"date":"2023-10-25T10:48:27","date_gmt":"2023-10-25T15:48:27","guid":{"rendered":"https:\/\/www.dotcom-monitor.com\/solutions\/surveillance-de-linfrastructure-dotcom-monitor\/surveillance-des-medias-en-continu-dotcom-monitor\/"},"modified":"2026-05-25T20:52:40","modified_gmt":"2026-05-26T01:52:40","slug":"surveillance-des-medias-en-continu-dotcom-monitor","status":"publish","type":"page","link":"https:\/\/www.dotcom-monitor.com\/fr\/produits-de-surveillance\/surveillance-des-medias-en-continu-dotcom-monitor\/","title":{"rendered":"Surveillance des m\u00e9dias en streaming"},"content":{"rendered":"\t\t
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Surveillance des m\u00e9dias en streaming <\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tSurveillez la performance, la disponibilit\u00e9 et les erreurs des flux audio ou vid\u00e9o pour garantir une lecture coh\u00e9rente et sans probl\u00e8me \u00e0 vos utilisateurs. <\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Identifier les erreurs de streaming<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Assurer un streaming audio et vid\u00e9o ininterrompu <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tGarantissez \u00e0 votre audience une exp\u00e9rience de streaming fluide. Avec Dotcom-Monitor, surveillez activement les flux m\u00e9dias, identifiez les erreurs et collectez des m\u00e9triques essentielles pour am\u00e9liorer les performances. <\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Surveillance compl\u00e8te des m\u00e9dias en streaming<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Surveillance vid\u00e9o en streaming :<\/strong> Notre agent se connecte, met en m\u00e9moire tampon, lit un flux pendant 30 secondes, v\u00e9rifie les erreurs et collecte les m\u00e9triques.<\/p>

Surveillance audio en streaming :<\/strong> Configurez des alertes pour diff\u00e9rents flux ou contenus et surveillez \u00e0 l\u2019\u00e9chelle mondiale. Recevez des notifications par e-mail, SMS, t\u00e9l\u00e9phone, et plus encore.<\/p>

Formats pris en charge :<\/strong> Notre solution supporte des centaines de formats et codecs vid\u00e9o, y compris Windows Media Player, RealPlayer, vid\u00e9os bas\u00e9es sur Flash, et plus.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fonctionnalit\u00e9s cl\u00e9s de la surveillance des m\u00e9dias en streaming <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tAm\u00e9liorez votre service de streaming en surveillant des m\u00e9triques adapt\u00e9es \u00e0 une lecture optimale. <\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tSurveiller le temps de connexion\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tRecevez des alertes concernant les d\u00e9lais d\u2019attente de connexion.\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tSuivre le taux de rafra\u00eechissement\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tAssurez-vous que les taux d\u2019affichage des images \u00e9vitent les scintillements ou erreurs.\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tV\u00e9rifier le temps de mise en m\u00e9moire tampon\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tD\u00e9finissez des seuils et alertes pour maintenir l\u2019engagement utilisateur.\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tCalculer la moyenne des octets par seconde\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tSurveillez la qualit\u00e9 des m\u00e9dias en streaming. \t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Atteignez une diffusion m\u00e9dia sans faille avec Dotcom-Monitor<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tNe faites pas tourner en rond vos utilisateurs ! Notre solution de surveillance des m\u00e9dias en streaming prend en charge des centaines de formats et de codecs vid\u00e9o, y compris Windows Media Player, RealPlayer, vid\u00e9os bas\u00e9es sur Flash, et plus encore.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Surveillance des M\u00e9dias en Streaming pour les Plateformes Modernes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\tExploitez la puissance des outils Dotcom-Monitor pour garantir une performance optimale de votre plateforme de streaming. De la vid\u00e9o \u00e0 l'audio, nous aidons \u00e0 assurer que vos flux soient ininterrompus et de la plus haute qualit\u00e9.<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ce que Disent Nos Clients<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"I absolutely love the comprehensive monitoring services Dotcom-Monitor provides. The real-time alerts and detailed performance analytics have been a game-changer for our website's uptime and speed. The global monitoring feature ensures that our site is optimized everywhere, and the intuitive dashboard makes it easy to track performance. Their customer support is exceptional \u2014 always responsive and efficient.\"<\/div>
Tomer C.<\/span><\/div>
Managing Director \u00b7 Facilities Services<\/span><\/div>
Verified Capterra review \u00b7 March 2025<\/span><\/div>
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\"One of Dotcom's best features is the push\/pull API capabilities that provide us with network performance data. We use this to monitor for performance issues as well as page loading stats. Dotcom-Monitor allows us to monitor multiple services within one interface and platform. It's allowed us to operate more efficiently.\"<\/div>
Gregory S.<\/span><\/div>
Manager \u00b7 Broadcast Media<\/span><\/div>
Verified Capterra review \u00b7 May 2020<\/span><\/div>
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\"I have been thoroughly impressed with the level of detail and comprehensiveness of the reports generated by the software. Moreover, the support team at Dotcom-Monitor has exceeded my expectations. On almost a daily basis, I reach out with various questions and they have consistently demonstrated unwavering patience, providing detailed and insightful answers.\"<\/div>
Shirin R.<\/span><\/div>
Software Test Engineer \u00b7 Computer Software<\/span><\/div>
Verified Capterra review \u00b7 February 2023<\/span><\/div>
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\"I'm a network analyst and use Dotcom tools inside the ISP I work, it's a really good and reliable tool for monitoring things along the network, and testing network components, I usually use it to make diagnostics of servers latency, and dns resolve time.\"<\/div>
Leonardo J.<\/span><\/div>
IT & Network Infrastructure Analyst Internet<\/span><\/div>
Verified Capterra review \u00b7 October 2022<\/span><\/div>
<\/i><\/i><\/i><\/i><\/i><\/div><\/div>\n\t\t\t<\/div>\n<\/div>\n\n<\/div>\n<\/div>\n<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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4.5<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tCapterra\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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80 avis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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4.6<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tFacilit\u00e9 d\u2019Utilisation\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tScore des avis Capterra\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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4.6<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
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\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tService Client\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tScore des avis Capterra\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t

Tous les avis proviennent de avis v\u00e9rifi\u00e9s Capterra<\/a>. Notes en date de janvier 2026.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Codecs et Formats de Fichier Pris en Charge pour la Surveillance des Flux M\u00e9dias<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCodecs de Surveillance des Flux M\u00e9dias<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n
CODECS DE SURVEILLANCE DES FLUX M\u00c9DIAS*<\/strong><\/span><\/td>\n<\/td>\n<\/tr>\n
D\u2026..<\/strong><\/em><\/td>\n= D\u00e9codage pris en charge<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
.E\u2026.<\/strong><\/em><\/td>\n= Encodage pris en charge<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
..V\u2026<\/strong><\/em><\/td>\n= Codec vid\u00e9o<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
..A\u2026<\/strong><\/em><\/td>\n= Codec audio<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
..S\u2026<\/strong><\/em><\/td>\n= Codec de sous-titres<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
\u2026S..<\/strong><\/em><\/td>\n= Prise en charge de draw_horiz_band<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
\u2026.D.<\/strong><\/em><\/td>\n= Prise en charge de la m\u00e9thode de rendu direct 1<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
\u2026..T<\/strong><\/em><\/td>\n= Prise en charge de la troncature \u00e9trange de trames<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
D V D<\/td>\n4xm<\/td>\n4X Movie<\/td>\n<\/tr>\n
D V D<\/td>\n8bps<\/td>\nVid\u00e9o QuickTime 8BPS<\/td>\n<\/tr>\n
D A D<\/td>\n8svx_exp<\/td>\n8SVX exponentiel<\/td>\n<\/tr>\n
D A D<\/td>\n8svx_fib<\/td>\n8SVX fibonacci<\/td>\n<\/tr>\n
EV<\/td>\na64multi<\/td>\nJeu de caract\u00e8res multicolore pour Commodore 64<\/td>\n<\/tr>\n
EV<\/td>\na64multi5<\/td>\nJeu de caract\u00e8res multicolore Commodore 64, ext avec 5\u00e8me couleur (colram)<\/td>\n<\/tr>\n
DEA D<\/td>\naac<\/td>\nCodage Audio Avanc\u00e9<\/td>\n<\/tr>\n
D A D<\/td>\naac_latm<\/td>\nAAC LATM (Syntaxe Advanced Audio Codec LATM)<\/td>\n<\/tr>\n
D V D<\/td>\naasc<\/td>\nAutodesk RLE<\/td>\n<\/tr>\n
DEA D<\/td>\nac3<\/td>\nATSC A\/52A (AC-3)<\/td>\n<\/tr>\n
EA<\/td>\nac3_fixed<\/td>\nATSC A\/52A (AC-3)<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_4xm<\/td>\nADPCM 4X Movie<\/td>\n<\/tr>\n
DEA D<\/td>\nadpcm_adx<\/td>\nSEGA CRI ADX ADPCM<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ct<\/td>\nADPCM Creative Technology<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea<\/td>\nADPCM Electronic Arts<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea_maxis_xa<\/td>\nADPCM Elektronic Arts Maxis CD ROM XA<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea_r1<\/td>\nADPCM Electronic Arts R1<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea_r2<\/td>\nADPCM Electronic Arts R2<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea_r3<\/td>\nADPCM Electronic Arts R3<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ea_xas<\/td>\nADPCM Electronic Arts XAS<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_amv<\/td>\nADPCM IMA AMV<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_apc<\/td>\nADPCM IMA CRYO APC<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_dk3<\/td>\nADPCM IMA Duck DK3<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_dk4<\/td>\nADPCM IMA Duck DK4<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_ea_eacs<\/td>\nADPCM IMA Electronic Arts EACS<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_ea_sead<\/td>\nADPCM IMA Electronic Arts SEAD<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_iss<\/td>\nADPCM IMA Funcom ISS<\/td>\n<\/tr>\n
DEA D<\/td>\nadpcm_ima_qt<\/td>\nADPCM IMA QuickTime<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_smjpeg<\/td>\nADPCM IMA Loki SDL MJPEG<\/td>\n<\/tr>\n
DEA D<\/td>\nadpcm_ima_wav<\/td>\nADPCM IMA WAV<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_ima_ws<\/td>\nADPCM IMA Westwood<\/td>\n<\/tr>\n
DEAD<\/td>\nadpcm_ms<\/td>\nADPCM Microsoft<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_sbpro_2<\/td>\nADPCM Sound Blaster Pro 2-bit<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_sbpro_3<\/td>\nADPCM Sound Blaster Pro 2.6-bit<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_sbpro_4<\/td>\nADPCM Sound Blaster Pro 4-bit<\/td>\n<\/tr>\n
DEA D<\/td>\nadpcm_swf<\/td>\nADPCM Shockwave Flash<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_thp<\/td>\nADPCM Nintendo Gamecube THP<\/td>\n<\/tr>\n
D A D<\/td>\nadpcm_xa<\/td>\nADPCM CDROM XA<\/td>\n<\/tr>\n
DEA D<\/td>\nadpcm_yamaha<\/td>\nADPCM Yamaha<\/td>\n<\/tr>\n
DEA D<\/td>\nalac<\/td>\nALAC (Apple Lossless Audio Codec)<\/td>\n<\/tr>\n
D A D<\/td>\nals<\/td>\nCodage audio sans perte MPEG-4 (ALS)<\/td>\n<\/tr>\n
D A D<\/td>\namrnb<\/td>\nTaux Adaptatif Multi-NarrowBand<\/td>\n<\/tr>\n
D A D<\/td>\namrwb<\/td>\nTaux Adaptatif Multi-WideBand<\/td>\n<\/tr>\n
DEV<\/td>\namv<\/td>\nVid\u00e9o AMV<\/td>\n<\/tr>\n
D V D<\/td>\nanm<\/td>\nAnimation Deluxe Paint<\/td>\n<\/tr>\n
D V D<\/td>\nansi<\/td>\nArt ASCII\/ANSI<\/td>\n<\/tr>\n
D A D<\/td>\nape<\/td>\nMonkey’s Audio<\/td>\n<\/tr>\n
DES<\/td>\nass<\/td>\nSous-titres Advanced SubStation Alpha<\/td>\n<\/tr>\n
DEV D<\/td>\nasv1<\/td>\nASUS V1<\/td>\n<\/tr>\n
DEV D<\/td>\nasv2<\/td>\nASUS V2<\/td>\n<\/tr>\n
D A D<\/td>\natrac1<\/td>\nAtrac 1 (Codage Acoustique Adaptatif par Transform\u00e9e)<\/td>\n<\/tr>\n
D A D<\/td>\natrac3<\/td>\nAtrac 3 (Codage Acoustique Adaptatif par Transform\u00e9e 3)<\/td>\n<\/tr>\n
D V D<\/td>\naura<\/td>\nAuravision AURA<\/td>\n<\/tr>\n
D V D<\/td>\naura2<\/td>\nAuravision Aura 2<\/td>\n<\/tr>\n
DEV D<\/td>\navrp<\/td>\nEmballeur RGB 10-bit Avid 1:1<\/td>\n<\/tr>\n
D V D<\/td>\navs<\/td>\nVid\u00e9o AVS (Audio Video Standard)<\/td>\n<\/tr>\n
DEV D<\/td>\nayuv<\/td>\nMS non compress\u00e9 emball\u00e9 0.1694907407407414<\/td>\n<\/tr>\n
D V D<\/td>\nbethsoftvid<\/td>\nVid\u00e9o Bethesda VID<\/td>\n<\/tr>\n
D V D<\/td>\nbfi<\/td>\nBrute Force & Ignorance<\/td>\n<\/tr>\n
D A D<\/td>\nbinkaudio_dct<\/td>\nAudio Bink (DCT)<\/td>\n<\/tr>\n
D A D<\/td>\nbinkaudio_rdft<\/td>\nAudio Bink (RDFT)<\/td>\n<\/tr>\n
D V<\/td>\nbinkvideo<\/td>\nVid\u00e9o Bink<\/td>\n<\/tr>\n
D V D<\/td>\nbintext<\/td>\nTexte binaire<\/td>\n<\/tr>\n
DEV D<\/td>\nbmp<\/td>\nImage BMP<\/td>\n<\/tr>\n
D A D<\/td>\nbmv_audio<\/td>\nAudio Discworld II BMV<\/td>\n<\/tr>\n
D V<\/td>\nbmv_video<\/td>\nVid\u00e9o Discworld II BMV<\/td>\n<\/tr>\n
D V D<\/td>\nc93<\/td>\nInterplay C93<\/td>\n<\/tr>\n
D V D<\/td>\ncamstudio<\/td>\nCamStudio<\/td>\n<\/tr>\n
D V D<\/td>\ncavs<\/td>\nVid\u00e9o AVS Chinois (AVS 1-P2, profil JiZhun)<\/td>\n<\/tr>\n
D V D<\/td>\ncdgraphics<\/td>\nVid\u00e9o CD Graphics<\/td>\n<\/tr>\n
D V D<\/td>\ncdxl<\/td>\nVid\u00e9o Commodore CDXL<\/td>\n<\/tr>\n
D V D<\/td>\ncinepak<\/td>\nCinepak<\/td>\n<\/tr>\n
DEV D<\/td>\ncljr<\/td>\nCirrus Logic AccuPak<\/td>\n<\/tr>\n
D A D<\/td>\ncook<\/td>\nCOOK<\/td>\n<\/tr>\n
D V D<\/td>\ncyuv<\/td>\nCreative YUV (CYUV)<\/td>\n<\/tr>\n
DEA D<\/td>\ndca<\/td>\nDCA (DTS Coherent Acoustics)<\/td>\n<\/tr>\n
D V D<\/td>\ndfa<\/td>\nChronomaster DFA<\/td>\n<\/tr>\n
D V<\/td>\ndirac<\/td>\nBBC Dirac VC-2<\/td>\n<\/tr>\n
DEV D<\/td>\ndnxhd<\/td>\nVC3\/DNxHD<\/td>\n<\/tr>\n
DEV<\/td>\ndpx<\/td>\nImage DPX<\/td>\n<\/tr>\n
D A D<\/td>\ndsicinaudio<\/td>\nAudio Delphine Software International CIN<\/td>\n<\/tr>\n
D V D<\/td>\ndsicinvideo<\/td>\nVid\u00e9o Delphine Software International CIN<\/td>\n<\/tr>\n
DES<\/td>\ndvbsub<\/td>\nSous-titres DVB<\/td>\n<\/tr>\n
DES<\/td>\ndvdsub<\/td>\nSous-titres DVD<\/td>\n<\/tr>\n
DEV D<\/td>\ndvvideo<\/td>\nDV (Vid\u00e9o num\u00e9rique)<\/td>\n<\/tr>\n
D V D<\/td>\ndxtory<\/td>\nDxtory<\/td>\n<\/tr>\n
DEA D<\/td>\neac3<\/td>\nATSC A\/52 E-AC-3<\/td>\n<\/tr>\n
D V D<\/td>\neacmv<\/td>\nVid\u00e9o Electronic Arts CMV<\/td>\n<\/tr>\n
D V D<\/td>\neamad<\/td>\nVid\u00e9o Electronic Arts Madcow<\/td>\n<\/tr>\n
D V D<\/td>\neatgq<\/td>\nVid\u00e9o Electronic Arts TGQ<\/td>\n<\/tr>\n
D V<\/td>\neatgv<\/td>\nVid\u00e9o Electronic Arts TGV<\/td>\n<\/tr>\n
D V D<\/td>\neatqi<\/td>\nVid\u00e9o Electronic Arts TQI<\/td>\n<\/tr>\n
D V D<\/td>\nescape124<\/td>\nEscape 124<\/td>\n<\/tr>\n
D V D<\/td>\nescape130<\/td>\nEscape 130<\/td>\n<\/tr>\n
DEV D<\/td>\nffv1<\/td>\nCodec vid\u00e9o FFmpeg #1<\/td>\n<\/tr>\n
DEVSD<\/td>\nffvhuff<\/td>\nVariante Huffyuv FFmpeg<\/td>\n<\/tr>\n
DEA D<\/td>\nflac<\/td>\nFLAC (Free Lossless Audio Codec)<\/td>\n<\/tr>\n
D V D<\/td>\nflic<\/td>\nVid\u00e9o Autodesk Animator Flic<\/td>\n<\/tr>\n
DEVSD<\/td>\nflv<\/td>\nVid\u00e9o Flash (FLV) \/ Sorenson Spark \/ Sorenson H.263<\/td>\n<\/tr>\n
D V D<\/td>\nfraps<\/td>\nFraps<\/td>\n<\/tr>\n
D V D<\/td>\nfrwu<\/td>\nForward Non compress\u00e9<\/td>\n<\/tr>\n
DEA D<\/td>\ng722<\/td>\nG.722 ADPCM<\/td>\n<\/tr>\n
DEA<\/td>\ng723_1<\/td>\nG.723.1<\/td>\n<\/tr>\n
DEA D<\/td>\ng726<\/td>\nG.726 ADPCM<\/td>\n<\/tr>\n
D A D<\/td>\ng729<\/td>\nG.729<\/td>\n<\/tr>\n
DEV D<\/td>\ngif<\/td>\nGIF (Graphics Interchange Format)<\/td>\n<\/tr>\n
D A D<\/td>\ngsm<\/td>\nGSM<\/td>\n<\/tr>\n
D A D<\/td>\ngsm_ms<\/td>\nVariante GSM Microsoft<\/td>\n<\/tr>\n
DEV D<\/td>\nh261<\/td>\nH.261<\/td>\n<\/tr>\n
DEVSDT<\/td>\nh263<\/td>\nH.263 \/ H.263-1996<\/td>\n<\/tr>\n
D VSD<\/td>\nh263i<\/td>\nIntel H.263<\/td>\n<\/tr>\n
EV<\/td>\nh263p<\/td>\nH.263+ \/ H.263-1998 \/ H.263 version 2<\/td>\n<\/tr>\n
D V D<\/td>\nh264<\/td>\nH.264 \/ AVC \/ MPEG-4 AVC \/ MPEG-4 partie 10<\/td>\n<\/tr>\n
DEVSD<\/td>\nhuffyuv<\/td>\nHuffyuv \/ HuffYUV<\/td>\n<\/tr>\n
D V D<\/td>\nidcinvideo<\/td>\nVid\u00e9o id Quake II CIN<\/td>\n<\/tr>\n
D V D<\/td>\nidf<\/td>\nTexte iCEDraw<\/td>\n<\/tr>\n
D V D<\/td>\niff_byterun1<\/td>\nIFF ByteRun1<\/td>\n<\/tr>\n
D V D<\/td>\niff_ilbm<\/td>\nIFF ILBM<\/td>\n<\/tr>\n
D A D<\/td>\nimc<\/td>\nIMC (Intel Music Coder)<\/td>\n<\/tr>\n
D V D<\/td>\nindeo2<\/td>\nIntel Indeo 2<\/td>\n<\/tr>\n
D V<\/td>\nindeo3<\/td>\nIntel Indeo 3<\/td>\n<\/tr>\n
D V<\/td>\nindeo4<\/td>\nIntel Indeo Video Interactive 4<\/td>\n<\/tr>\n
D V<\/td>\nindeo5<\/td>\nIntel Indeo Video Interactive 5<\/td>\n<\/tr>\n
D A D<\/td>\ninterplay_<\/td>\ndpcm DPCM Interplay<\/td>\n<\/tr>\n
D V D<\/td>\ninterplayv<\/td>\nideo Interplay MVE vid\u00e9o<\/td>\n<\/tr>\n
DEV<\/td>\nj2k<\/td>\nJPEG 2000<\/td>\n<\/tr>\n
DEV D<\/td>\njpegls<\/td>\nJPEG-LS<\/td>\n<\/tr>\n
D V D<\/td>\njv<\/td>\nVid\u00e9o Bitmap Brothers JV<\/td>\n<\/tr>\n
D V<\/td>\nkgv1<\/td>\nVid\u00e9o Kega Game<\/td>\n<\/tr>\n
D V D<\/td>\nkmvc<\/td>\nCodec vid\u00e9o Karl Morton<\/td>\n<\/tr>\n
D V D<\/td>\nlagarith<\/td>\nLagarith sans perte<\/td>\n<\/tr>\n
EV<\/td>\nljpeg<\/td>\nJPEG sans perte<\/td>\n<\/tr>\n
D V D<\/td>\nloco<\/td>\nLOCO<\/td>\n<\/tr>\n
D A D<\/td>\nmace3<\/td>\nMACE (Compression\/Expansion Audio Macintosh) 3:1<\/td>\n<\/tr>\n
D A D<\/td>\nmace6<\/td>\nMACE (Compression\/Expansion Audio Macintosh) 6:1<\/td>\n<\/tr>\n
D V D<\/td>\nmdec<\/td>\nSony PlayStation MDEC (D\u00e9codeur de Mouvement)<\/td>\n<\/tr>\n
D V D<\/td>\nmimic<\/td>\nMimic<\/td>\n<\/tr>\n
DEV D<\/td>\nmjpeg<\/td>\nMJPEG (Motion JPEG)<\/td>\n<\/tr>\n
D V D<\/td>\nmjpegb<\/td>\nApple MJPEG-B<\/td>\n<\/tr>\n
D A D<\/td>\nmlp<\/td>\nMLP (Meridian Lossless Packing)<\/td>\n<\/tr>\n
D V D<\/td>\nmmvideo<\/td>\nMM Video American Laser Games<\/td>\n<\/tr>\n
D V D<\/td>\nmotionpixels<\/td>\nVid\u00e9o Motion Pixels<\/td>\n<\/tr>\n
D A D<\/td>\nmp1<\/td>\nMP1 (MPEG Audio Layer 1)<\/td>\n<\/tr>\n
D A D<\/td>\nmp1float<\/td>\nMP1 (MPEG Audio Layer 1)<\/td>\n<\/tr>\n
DEA D<\/td>\nmp2<\/td>\nMP2 (MPEG Audio Layer 2)<\/td>\n<\/tr>\n
D A D<\/td>\nmp2float<\/td>\nMP2 (MPEG Audio Layer 2)<\/td>\n<\/tr>\n
D A D<\/td>\nmp3<\/td>\nMP3 (MPEG Audio Layer 3)<\/td>\n<\/tr>\n
D A D<\/td>\nmp3adu<\/td>\nADU (Unit\u00e9 de Donn\u00e9es Applicative) MP3 (MPEG Audio Layer 3)<\/td>\n<\/tr>\n
D A D<\/td>\nmp3adufloat<\/td>\nADU (Unit\u00e9 de Donn\u00e9es Applicative) MP3 (MPEG Audio Layer 3)<\/td>\n<\/tr>\n
D A D<\/td>\nmp3float<\/td>\nMP3 (MPEG Audio Layer 3)<\/td>\n<\/tr>\n
D A D<\/td>\nmp3on4<\/td>\nMP3 sur MP4<\/td>\n<\/tr>\n
D A D<\/td>\nmp3on4float<\/td>\nMP3 sur MP4<\/td>\n<\/tr>\n
D A D<\/td>\nmpc7<\/td>\nMusepack SV7<\/td>\n<\/tr>\n
D A D<\/td>\nmpc8<\/td>\nMusepack SV8<\/td>\n<\/tr>\n
DEVSDT<\/td>\nmpeg1video<\/td>\nVid\u00e9o MPEG-1<\/td>\n<\/tr>\n
DEVSDT<\/td>\nmpeg2video<\/td>\nVid\u00e9o MPEG-2<\/td>\n<\/tr>\n
DEVSDT<\/td>\nmpeg4<\/td>\nMPEG-4 partie 2<\/td>\n<\/tr>\n
D VSDT<\/td>\nmpegvideo<\/td>\nVid\u00e9o MPEG-1<\/td>\n<\/tr>\n
DEVSD<\/td>\nmsmpeg4<\/td>\nVariante Microsoft MPEG-4 partie 2 version 3<\/td>\n<\/tr>\n
D VSD<\/td>\nmsmpeg4v1<\/td>\nVariante Microsoft MPEG-4 partie 2 version 1<\/td>\n<\/tr>\n
DEVSD<\/td>\nmsmpeg4v2<\/td>\nVariante Microsoft MPEG-4 partie 2 version 2<\/td>\n<\/tr>\n
D V D<\/td>\nmsrle<\/td>\nMicrosoft RLE<\/td>\n<\/tr>\n
DEV D<\/td>\nmsvideo1<\/td>\nMicrosoft Video-1<\/td>\n<\/tr>\n
D V D<\/td>\nmszh<\/td>\nLCL (Biblioth\u00e8que de Codec sans perte) MSZH<\/td>\n<\/tr>\n
D V D<\/td>\nmxpeg<\/td>\nVid\u00e9o Mobotix MxPEG<\/td>\n<\/tr>\n
DEA D<\/td>\nnellymoser<\/td>\nNellymoser Asao<\/td>\n<\/tr>\n
D V D<\/td>\nnuv<\/td>\nNuppelVideo\/RTJPEG<\/td>\n<\/tr>\n
DEV D<\/td>\npam<\/td>\nImage PAM (Portable AnyMap)<\/td>\n<\/tr>\n
DEV D<\/td>\npbm<\/td>\nImage PBM (Portable BitMap)<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_alaw<\/td>\nPCM A-law \/ G.711 A-law<\/td>\n<\/tr>\n
D A D<\/td>\npcm_bluray<\/td>\nPCM sign\u00e9 16|20|24-bit big-endian pour m\u00e9dias Blu-ray<\/td>\n<\/tr>\n
D A D<\/td>\npcm_dvd<\/td>\nPCM sign\u00e9 20|24-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_f32be<\/td>\nPCM flottant 32-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_f32le<\/td>\nPCM flottant 32-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_f64be<\/td>\nPCM flottant 64-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_f64le<\/td>\nPCM flottant 64-bit little-endian<\/td>\n<\/tr>\n
D A D<\/td>\npcm_lxf<\/td>\nPCM sign\u00e9 20-bit little-endian planaire<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_mulaw<\/td>\nPCM mu-law \/ G.711 mu-law<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s16be<\/td>\nPCM sign\u00e9 16-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s16le<\/td>\nPCM sign\u00e9 16-bit little-endian<\/td>\n<\/tr>\n
D A D<\/td>\npcm_s16le_planar<\/td>\nPCM 16-bit little-endian planaire<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s24be<\/td>\nPCM sign\u00e9 24-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s24daud<\/td>\nPCM audio D-Cin\u00e9ma sign\u00e9 24-bit<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s24le<\/td>\nPCM sign\u00e9 24-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s32be<\/td>\nPCM sign\u00e9 32-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s32le<\/td>\nPCM sign\u00e9 32-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_s8<\/td>\nPCM sign\u00e9 8-bit<\/td>\n<\/tr>\n
D A D<\/td>\npcm_s8_planar<\/td>\nPCM sign\u00e9 8-bit planaire<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u16be<\/td>\nPCM non sign\u00e9 16-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u16le<\/td>\nPCM non sign\u00e9 16-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u24be<\/td>\nPCM non sign\u00e9 24-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u24le<\/td>\nPCM non sign\u00e9 24-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u32be<\/td>\nPCM non sign\u00e9 32-bit big-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u32le<\/td>\nPCM non sign\u00e9 32-bit little-endian<\/td>\n<\/tr>\n
DEA D<\/td>\npcm_u8<\/td>\nPCM non sign\u00e9 8-bit<\/td>\n<\/tr>\n
D A D<\/td>\npcm_zork<\/td>\nPCM Zork<\/td>\n<\/tr>\n
DEV D<\/td>\npcx<\/td>\nImage PC Paintbrush PCX<\/td>\n<\/tr>\n
DEV D<\/td>\npgm<\/td>\nImage PGM (Portable GrayMap)<\/td>\n<\/tr>\n
DEV D<\/td>\npgmyuv<\/td>\nImage PGMYUV (Portable GrayMap YUV)<\/td>\n<\/tr>\n
D S<\/td>\npgssub<\/td>\nSous-titres HDMV Presentation Graphic Stream<\/td>\n<\/tr>\n
D V D<\/td>\npictor<\/td>\nPictor\/PC Paint<\/td>\n<\/tr>\n
DEV D<\/td>\nppm<\/td>\nImage PPM (Portable PixelMap)<\/td>\n<\/tr>\n
DEV D<\/td>\nprores<\/td>\nApple ProRes<\/td>\n<\/tr>\n
EV<\/td>\nprores_anatoliy<\/td>\nApple ProRes<\/td>\n<\/tr>\n
EV<\/td>\nprores_kostya<\/td>\nApple ProRes (iCodec Pro)<\/td>\n<\/tr>\n
D V D<\/td>\nprores_lgpl<\/td>\nApple ProRes (iCodec Pro)<\/td>\n<\/tr>\n
D V D<\/td>\nptx<\/td>\nImage V.Flash PTX<\/td>\n<\/tr>\n
D A D<\/td>\nqcelp<\/td>\nQCELP \/ PureVoice<\/td>\n<\/tr>\n
D A D<\/td>\nqdm2<\/td>\nCodec Musique QDesign 2<\/td>\n<\/tr>\n
D V D<\/td>\nqdraw<\/td>\nApple QuickDraw<\/td>\n<\/tr>\n
D V D<\/td>\nqpeg<\/td>\nQ-team QPEG<\/td>\n<\/tr>\n
DEV D<\/td>\nqtrle<\/td>\nVid\u00e9o QuickTime Animation (RLE)<\/td>\n<\/tr>\n
DEV D<\/td>\nr10k<\/td>\nCodec AJA Kona RGB 10-bit<\/td>\n<\/tr>\n
DEV D<\/td>\nr210<\/td>\nRGB non compress\u00e9 10-bit<\/td>\n<\/tr>\n
DEV<\/td>\nrawvideo<\/td>\nVid\u00e9o raw<\/td>\n<\/tr>\n
DEA D<\/td>\nreal_144<\/td>\nRealAudio 1.0 (14.4K)<\/td>\n<\/tr>\n
D A D<\/td>\nreal_288<\/td>\nRealAudio 2.0 (28.8K)<\/td>\n<\/tr>\n
D V D<\/td>\nrl2<\/td>\nVid\u00e9o RL2<\/td>\n<\/tr>\n
DEA D<\/td>\nroq_dpcm<\/td>\nid RoQ DPCM<\/td>\n<\/tr>\n
DEV D<\/td>\nroqvideo<\/td>\nid RoQ vid\u00e9o<\/td>\n<\/tr>\n
D V D<\/td>\nrpza<\/td>\nVid\u00e9o QuickTime (RPZA)<\/td>\n<\/tr>\n
DEV D<\/td>\nrv10<\/td>\nRealVideo 1.0<\/td>\n<\/tr>\n
DEV D<\/td>\nrv20<\/td>\nRealVideo 2.0<\/td>\n<\/tr>\n
D V D<\/td>\nrv30<\/td>\nRealVideo 3.0<\/td>\n<\/tr>\n
D V D<\/td>\nrv40<\/td>\nRealVideo 4.0<\/td>\n<\/tr>\n
D A D<\/td>\ns302m<\/td>\nSMPTE 302M<\/td>\n<\/tr>\n
DEV<\/td>\nsgi<\/td>\nImage SGI<\/td>\n<\/tr>\n
D A D<\/td>\nshorten<\/td>\nShorten<\/td>\n<\/tr>\n
D A D<\/td>\nsipr<\/td>\nRealAudio SIPR \/ ACELP .NET<\/td>\n<\/tr>\n
D A D<\/td>\nsmackaud<\/td>\nAudio Smacker<\/td>\n<\/tr>\n
D V D<\/td>\nsmackvid<\/td>\nVid\u00e9o Smacker<\/td>\n<\/tr>\n
D V D<\/td>\nsmc<\/td>\nGraphismes QuickTime (SMC)<\/td>\n<\/tr>\n
DEV D<\/td>\nsnow<\/td>\nSnow<\/td>\n<\/tr>\n
D A D<\/td>\nsol_dpcm<\/td>\nDPCM Sol<\/td>\n<\/tr>\n
DEA<\/td>\nsonic<\/td>\nSonic<\/td>\n<\/tr>\n
EA<\/td>\nsonicls<\/td>\nSonic sans perte<\/td>\n<\/tr>\n
D V D<\/td>\nsp5x<\/td>\nJPEG Sunplus (SP5X)<\/td>\n<\/tr>\n
DES<\/td>\nsrt<\/td>\nSous-titres SubRip<\/td>\n<\/tr>\n
DEV D<\/td>\nsunrast<\/td>\nImage Sun Rasterfile<\/td>\n<\/tr>\n
DEV D<\/td>\nsvq1<\/td>\nSorenson Vector Quantizer 1 \/ Sorenson Video 1 \/ SVQ1<\/td>\n<\/tr>\n
D VSD<\/td>\nsvq3<\/td>\nSorenson Vector Quantizer 3 \/ Sorenson Video 3 \/ SVQ3<\/td>\n<\/tr>\n
DEV D<\/td>\ntarga<\/td>\nImage Truevision Targa<\/td>\n<\/tr>\n
D VSD<\/td>\ntheora<\/td>\nTheora<\/td>\n<\/tr>\n
D V D<\/td>\nthp<\/td>\nVid\u00e9o Nintendo Gamecube THP<\/td>\n<\/tr>\n
D V D<\/td>\ntiertexseq<\/td>\nVid\u00e9o Tiertex Limited SEQ<\/td>\n<\/tr>\n
DEV D<\/td>\ntiff<\/td>\nImage TIFF<\/td>\n<\/tr>\n
D V D<\/td>\ntmv<\/td>\n8088flex TMV<\/td>\n<\/tr>\n
D A D<\/td>\ntruehd<\/td>\nTrueHD<\/td>\n<\/tr>\n
D V D<\/td>\ntruemotion 1<\/td>\nDuck TrueMotion 1.0<\/td>\n<\/tr>\n
D V D<\/td>\ntruemotion 2<\/td>\nDuck TrueMotion 2.0<\/td>\n<\/tr>\n
D A D<\/td>\ntruespeech<\/td>\nDSP Group TrueSpeech<\/td>\n<\/tr>\n
D A D<\/td>\ntta<\/td>\nTrue Audio (TTA)<\/td>\n<\/tr>\n
D A D<\/td>\ntwinvq<\/td>\nVQF TwinVQ<\/td>\n<\/tr>\n
D V D<\/td>\ntxd<\/td>\nImage Renderware TXD (Dictionnaire de Textures)<\/td>\n<\/tr>\n
D V D<\/td>\nultimotion<\/td>\nIBM UltiMotion<\/td>\n<\/tr>\n
D V D<\/td>\nutvideo<\/td>\nVid\u00e9o Ut<\/td>\n<\/tr>\n
DEV D<\/td>\nv210<\/td>\nNon compress\u00e9 4:2:2 10-bit<\/td>\n<\/tr>\n
D V D<\/td>\nv210x<\/td>\nNon compress\u00e9 4:2:2 10-bit<\/td>\n<\/tr>\n
DEV D<\/td>\nv308<\/td>\nNon compress\u00e9 packag\u00e9 4: 0.169444444444444<\/td>\n<\/tr>\n
DEV D<\/td>\nv408<\/td>\nNon compress\u00e9 packag\u00e9 QT 0.1694907407407414<\/td>\n<\/tr>\n
DEV D<\/td>\nv410<\/td>\nNon compress\u00e9 4:4:4 10-bit<\/td>\n<\/tr>\n
D V<\/td>\nvb<\/td>\nBeam Software VB<\/td>\n<\/tr>\n
D V D<\/td>\nvble<\/td>\nCodec sans perte VBLE<\/td>\n<\/tr>\n
D V D<\/td>\nvc1<\/td>\nSMPTE VC-1<\/td>\n<\/tr>\n
D V D<\/td>\nvc1image<\/td>\nWindows Media Video 9 Image v2<\/td>\n<\/tr>\n
D V D<\/td>\nvcr1<\/td>\nATI VCR1<\/td>\n<\/tr>\n
D A D<\/td>\nvmdaudio<\/td>\nAudio Sierra VMD<\/td>\n<\/tr>\n
D V D<\/td>\nvmdvideo<\/td>\nVid\u00e9o Sierra VMD<\/td>\n<\/tr>\n
D V D<\/td>\nvmnc<\/td>\nCodec \u00e9cran VMware \/ Vid\u00e9o VMware<\/td>\n<\/tr>\n
DEA D<\/td>\nvorbis<\/td>\nVorbis<\/td>\n<\/tr>\n
D VSD<\/td>\nvp3<\/td>\nOn2 VP3<\/td>\n<\/tr>\n
D V D<\/td>\nvp5<\/td>\nOn2 VP5<\/td>\n<\/tr>\n
D V D<\/td>\nvp6<\/td>\nOn2 VP6<\/td>\n<\/tr>\n
D V D<\/td>\nvp6a<\/td>\nOn2 VP6 (version Flash, avec canal alpha)<\/td>\n<\/tr>\n
D V D<\/td>\nvp6f<\/td>\nOn2 VP6 (version Flash)<\/td>\n<\/tr>\n
D V D<\/td>\nvp8<\/td>\nOn2 VP8<\/td>\n<\/tr>\n
D V D<\/td>\nvqavideo<\/td>\nVid\u00e9o Westwood Studios VQA (Vector Quantized Animation)<\/td>\n<\/tr>\n
D A D<\/td>\nwavesynth<\/td>\nPseudo-codec de synth\u00e8se d\u2019ondes<\/td>\n<\/tr>\n
D A D<\/td>\nwavpack<\/td>\nWavPack<\/td>\n<\/tr>\n
D A D<\/td>\nwmalossless<\/td>\nWindows Media Audio 9 Sans Perte<\/td>\n<\/tr>\n
D A D<\/td>\nwmapro<\/td>\nWindows Media Audio 9 Professionnel<\/td>\n<\/tr>\n
DEA D<\/td>\nwmav1<\/td>\nWindows Media Audio 1<\/td>\n<\/tr>\n
DEA D<\/td>\nwmav2<\/td>\nWindows Media Audio 2<\/td>\n<\/tr>\n
D A D<\/td>\nwmavoice<\/td>\nWindows Media Audio Voix<\/td>\n<\/tr>\n
DEVSD<\/td>\nwmv1<\/td>\nWindows Media Video 7<\/td>\n<\/tr>\n
DEVSD<\/td>\nwmv2<\/td>\nWindows Media Video 8<\/td>\n<\/tr>\n
D V D<\/td>\nwmv3<\/td>\nWindows Media Video 9<\/td>\n<\/tr>\n
D V D<\/td>\nwmv3image<\/td>\nWindows Media Video 9 Image<\/td>\n<\/tr>\n
D V D<\/td>\nwnv1<\/td>\nWinnov WNV1<\/td>\n<\/tr>\n
D A D<\/td>\nws_snd1<\/td>\nAudio Westwood (SND1)<\/td>\n<\/tr>\n
D A D<\/td>\nxan_dpcm<\/td>\nDPCM Xan<\/td>\n<\/tr>\n
D V D<\/td>\nxan_wc3<\/td>\nWing Commander III \/ Xan<\/td>\n<\/tr>\n
D V D<\/td>\nxan_wc4<\/td>\nWing Commander IV \/ Xxan<\/td>\n<\/tr>\n
D V D<\/td>\nxbin<\/td>\nTexte binaire \u00e9tendu<\/td>\n<\/tr>\n
D V D<\/td>\nxl<\/td>\nMiro VideoXL<\/td>\n<\/tr>\n
DES<\/td>\nxsub<\/td>\nSous-titres DivX (XSUB)<\/td>\n<\/tr>\n
DEV D<\/td>\nxwd<\/td>\nImage XWD (X Window Dump)<\/td>\n<\/tr>\n
DEV D<\/td>\ny41p<\/td>\nYUV non compress\u00e9 4:1:1 12-bit<\/td>\n<\/tr>\n
D V<\/td>\nyop<\/td>\nVid\u00e9o Psygnosis YOP<\/td>\n<\/tr>\n
DEV D<\/td>\nyuv4<\/td>\nNon compress\u00e9 emball\u00e9 4: 0.0833333333333333<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n*Notez que les noms des encodeurs et d\u00e9codeurs ne correspondent pas toujours, donc il existe plusieurs cas o\u00f9 le tableau ci-dessus montre uniquement des entr\u00e9es encodeurs ou d\u00e9codeurs m\u00eame si l’encodage et le d\u00e9codage sont pris en charge. Par exemple, le d\u00e9codeur h263 correspond aux encodeurs h263 et h263p.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFormats de Fichiers des Flux M\u00e9dias<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
FORMATS DE FICHIERS DES FLUX M\u00c9DIAS*<\/strong><\/td>\n<\/td>\n<\/tr>\n
D.<\/strong><\/em><\/td>\n= D\u00e9muxage pris en charge<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
.E<\/strong><\/em><\/td>\n= Muxage pris en charge<\/strong><\/em><\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
E<\/td>\n3g2<\/td>\nFormat 3GP2<\/td>\n<\/tr>\n
E<\/td>\n3gp<\/td>\nFormat 3GP<\/td>\n<\/tr>\n
D<\/td>\n4xm<\/td>\nFormat 4X Technologies<\/td>\n<\/tr>\n
D<\/td>\nIFF<\/td>\nFormat IFF<\/td>\n<\/tr>\n
D<\/td>\nISS<\/td>\nFormat Funcom ISS<\/td>\n<\/tr>\n
D<\/td>\nMTV<\/td>\nFormat MTV<\/td>\n<\/tr>\n
DE<\/td>\nRoQ<\/td>\nFormat brut id RoQ<\/td>\n<\/tr>\n
E<\/td>\na64<\/td>\na64 \u2013 vid\u00e9o pour Commodore 64<\/td>\n<\/tr>\n
D<\/td>\naac<\/td>\nAAC ADTS brut<\/td>\n<\/tr>\n
DE<\/td>\nac3<\/td>\nAC-3 brut<\/td>\n<\/tr>\n
D<\/td>\nact<\/td>\nFormat de fichier vocal ACT<\/td>\n<\/tr>\n
D<\/td>\nadf<\/td>\nFormat Artworx Data<\/td>\n<\/tr>\n
E<\/td>\nadts<\/td>\nAAC ADTS<\/td>\n<\/tr>\n
DE<\/td>\nadx<\/td>\nCRI ADX<\/td>\n<\/tr>\n
D<\/td>\naea<\/td>\nAudio MD STUDIO<\/td>\n<\/tr>\n
DE<\/td>\naiff<\/td>\nAudio IFF<\/td>\n<\/tr>\n
DE<\/td>\nalaw<\/td>\nFormat PCM A-law<\/td>\n<\/tr>\n
DE<\/td>\namr<\/td>\nFormat 3GPP AMR<\/td>\n<\/tr>\n
D<\/td>\nanm<\/td>\nAnimation Deluxe Paint<\/td>\n<\/tr>\n
D<\/td>\napc<\/td>\nFormat CRYO APC<\/td>\n<\/tr>\n
D<\/td>\nape<\/td>\nMonkey’s Audio<\/td>\n<\/tr>\n
DE<\/td>\nasf<\/td>\nFormat ASF<\/td>\n<\/tr>\n
E<\/td>\nasf_stream<\/td>\nFormat ASF<\/td>\n<\/tr>\n
DE<\/td>\nass<\/td>\nFormat de sous-titres Advanced SubStation Alpha<\/td>\n<\/tr>\n
DE<\/td>\nau<\/td>\nFormat SUN AU<\/td>\n<\/tr>\n
DE<\/td>\navi<\/td>\nFormat AVI<\/td>\n<\/tr>\n
E<\/td>\navm2<\/td>\nFormat Flash 9 (AVM2)<\/td>\n<\/tr>\n
D<\/td>\navs<\/td>\nFormat AVS<\/td>\n<\/tr>\n
D<\/td>\nbethsoftvid<\/td>\nFormat Bethesda Softworks VID<\/td>\n<\/tr>\n
D<\/td>\nbfi<\/td>\nBrute Force & Ignorance<\/td>\n<\/tr>\n
D<\/td>\nbin<\/td>\nTexte binaire<\/td>\n<\/tr>\n
D<\/td>\nbink<\/td>\nBink<\/td>\n<\/tr>\n
DE<\/td>\nbit<\/td>\nFormat de fichier G.729 BIT<\/td>\n<\/tr>\n
D<\/td>\nbmv<\/td>\nDiscworld II BMV<\/td>\n<\/tr>\n
D<\/td>\nc93<\/td>\nInterplay C93<\/td>\n<\/tr>\n
DE<\/td>\ncaf<\/td>\nFormat Apple Core Audio<\/td>\n<\/tr>\n
DE<\/td>\ncavsvideo<\/td>\nVid\u00e9o AVS Chinois brut<\/td>\n<\/tr>\n
D<\/td>\ncdg<\/td>\nFormat CD Graphics<\/td>\n<\/tr>\n
D<\/td>\ncdxl<\/td>\nFormat vid\u00e9o Commodore CDXL<\/td>\n<\/tr>\n
E<\/td>\ncrc<\/td>\nFormat de test CRC<\/td>\n<\/tr>\n
DE<\/td>\ndaud<\/td>\nFormat audio D-Cin\u00e9ma<\/td>\n<\/tr>\n
D<\/td>\ndfa<\/td>\nChronomaster DFA<\/td>\n<\/tr>\n
DE<\/td>\ndirac<\/td>\nDirac brut<\/td>\n<\/tr>\n
DE<\/td>\ndnxhd<\/td>\nDNxHD brut (SMPTE VC-3)<\/td>\n<\/tr>\n
D<\/td>\ndsicin<\/td>\nFormat Delphine Software International CIN<\/td>\n<\/tr>\n
DE<\/td>\ndts<\/td>\nDTS brut<\/td>\n<\/tr>\n
DE<\/td>\ndv<\/td>\nFormat vid\u00e9o DV<\/td>\n<\/tr>\n
E<\/td>\ndvd<\/td>\nFormat MPEG-2 PS (DVD VOB)<\/td>\n<\/tr>\n
D<\/td>\ndxa<\/td>\nDXA<\/td>\n<\/tr>\n
D<\/td>\nea<\/td>\nFormat multim\u00e9dia Electronic Arts<\/td>\n<\/tr>\n
D<\/td>\nea_cdata<\/td>\nCdata Electronic Arts<\/td>\n<\/tr>\n
DE<\/td>\neac3<\/td>\nE-AC-3 brut<\/td>\n<\/tr>\n
DE<\/td>\nf32be<\/td>\nFormat PCM 32-bit flottant big-endian<\/td>\n<\/tr>\n
DE<\/td>\nf32le<\/td>\nFormat PCM 32-bit flottant little-endian<\/td>\n<\/tr>\n
DE<\/td>\nf64be<\/td>\nFormat PCM 64-bit flottant big-endian<\/td>\n<\/tr>\n
DE<\/td>\nf64le<\/td>\nFormat PCM 64-bit flottant little-endian<\/td>\n<\/tr>\n
DE<\/td>\nffm<\/td>\nFormat FFM (flux live FFserver)<\/td>\n<\/tr>\n
DE<\/td>\nffmetadata<\/td>\nM\u00e9tadonn\u00e9es FFmpeg en format texte<\/td>\n<\/tr>\n
D<\/td>\nfilm_cpk<\/td>\nFormat Sega FILM\/CPK<\/td>\n<\/tr>\n
DE<\/td>\nfilmstrip<\/td>\nFilmstrip Adobe<\/td>\n<\/tr>\n
DE<\/td>\nflac<\/td>\nFLAC brut<\/td>\n<\/tr>\n
D<\/td>\nflic<\/td>\nFormat d’animation FLI\/FLC\/FLX<\/td>\n<\/tr>\n
DE<\/td>\nflv<\/td>\nFormat FLV<\/td>\n<\/tr>\n
E<\/td>\nframecrc<\/td>\nFormat de test framecrc<\/td>\n<\/tr>\n
E<\/td>\nframemd5<\/td>\nFormat de test MD5 par image<\/td>\n<\/tr>\n
DE<\/td>\ng722<\/td>\nG.722 brut<\/td>\n<\/tr>\n
DE<\/td>\ng723_1<\/td>\nG.723.1 brut<\/td>\n<\/tr>\n
D<\/td>\ng729<\/td>\nD\u00e9muxeur format brut G.729<\/td>\n<\/tr>\n
E<\/td>\ngif<\/td>\nAnimation GIF<\/td>\n<\/tr>\n
D<\/td>\ngsm<\/td>\nGSM brut<\/td>\n<\/tr>\n
DE<\/td>\ngxf<\/td>\nFormat GXF<\/td>\n<\/tr>\n
DE<\/td>\nh261<\/td>\nH.261 brut<\/td>\n<\/tr>\n
DE<\/td>\nh263<\/td>\nH.263 brut<\/td>\n<\/tr>\n
DE<\/td>\nh264<\/td>\nFormat vid\u00e9o H.264 brut<\/td>\n<\/tr>\n
D<\/td>\nhls,applehttp<\/td>\nFormat Apple HTTP Live Streaming<\/td>\n<\/tr>\n
D<\/td>\nico<\/td>\nICO Microsoft Windows<\/td>\n<\/tr>\n
D<\/td>\nidcin<\/td>\nFormat id Cinematic<\/td>\n<\/tr>\n
D<\/td>\nidf<\/td>\nFichier iCE Draw<\/td>\n<\/tr>\n
DE<\/td>\nimage2<\/td>\nS\u00e9quence image2<\/td>\n<\/tr>\n
DE<\/td>\nimage2pipe<\/td>\nS\u00e9quence image2 pipe<\/td>\n<\/tr>\n
D<\/td>\ningenient<\/td>\nMJPEG bruts Ingenient<\/td>\n<\/tr>\n
D<\/td>\nipmovie<\/td>\nFormat Interplay MVE<\/td>\n<\/tr>\n
E<\/td>\nipod<\/td>\nFormat iPod H.264 MP4<\/td>\n<\/tr>\n
E<\/td>\nismv<\/td>\nFormat ISMV\/ISMA (Smooth Streaming)<\/td>\n<\/tr>\n
D<\/td>\niv8<\/td>\nFormat g\u00e9n\u00e9r\u00e9 par le serveur vid\u00e9o IndigoVision 8000<\/td>\n<\/tr>\n
DE<\/td>\nivf<\/td>\nOn2 IVF<\/td>\n<\/tr>\n
D<\/td>\njv<\/td>\nBitmap Brothers JV<\/td>\n<\/tr>\n
DE<\/td>\nlatm<\/td>\nLOAS\/LATM<\/td>\n<\/tr>\n
D<\/td>\nlavfi<\/td>\nP\u00e9riph\u00e9rique d’entr\u00e9e virtuel Libavfilter<\/td>\n<\/tr>\n
D<\/td>\nlmlm4<\/td>\nFormat brut lmlm4<\/td>\n<\/tr>\n
D<\/td>\nloas<\/td>\nLOAS AudioSyncStream<\/td>\n<\/tr>\n
D<\/td>\nlxf<\/td>\nFormat natif de flux VR (LXF)<\/td>\n<\/tr>\n
DE<\/td>\nm4v<\/td>\nFormat vid\u00e9o MPEG-4 brut<\/td>\n<\/tr>\n
E<\/td>\nmatroska<\/td>\nFormat de fichier Matroska<\/td>\n<\/tr>\n
D<\/td>\nmatroska,webm<\/td>\nFormat de fichier Matroska\/WebM<\/td>\n<\/tr>\n
E<\/td>\nmd5<\/td>\nFormat de test MD5<\/td>\n<\/tr>\n
DE<\/td>\nmicrodvd<\/td>\nFormat de sous-titres MicroDVD<\/td>\n<\/tr>\n
DE<\/td>\nmjpeg<\/td>\nVid\u00e9o MJPEG brute<\/td>\n<\/tr>\n
E<\/td>\nmkvtimestamp_v2<\/td>\nExtraction pts comme timecode format v2, d\u00e9fini par mkvtoolnix<\/td>\n<\/tr>\n
DE<\/td>\nmlp<\/td>\nMLP brut<\/td>\n<\/tr>\n
D<\/td>\nmm<\/td>\nFormat American Laser Games MM<\/td>\n<\/tr>\n
DE<\/td>\nmmf<\/td>\nYamaha SMAF<\/td>\n<\/tr>\n
E<\/td>\nmov<\/td>\nFormat MOV<\/td>\n<\/tr>\n
D<\/td>\nmov,mp4,m4a,3gp,<\/td>\n3g2,mj2 Format QuickTime\/MPEG-4\/Motion JPEG 2000<\/td>\n<\/tr>\n
E<\/td>\nmp2<\/td>\nAudio MPEG couche 2<\/td>\n<\/tr>\n
DE<\/td>\nmp3<\/td>\nAudio MPEG couche 3<\/td>\n<\/tr>\n
E<\/td>\nmp4<\/td>\nFormat MP4<\/td>\n<\/tr>\n
D<\/td>\nmpc<\/td>\nMusepack<\/td>\n<\/tr>\n
D<\/td>\nmpc8<\/td>\nMusepack SV8<\/td>\n<\/tr>\n
DE<\/td>\nmpeg<\/td>\nFormat syst\u00e8me MPEG-1<\/td>\n<\/tr>\n
E<\/td>\nmpeg1video<\/td>\nVid\u00e9o MPEG-1 brute<\/td>\n<\/tr>\n
E<\/td>\nmpeg2video<\/td>\nVid\u00e9o MPEG-2 brute<\/td>\n<\/tr>\n
DE<\/td>\nmpegts<\/td>\nFormat flux transport MPEG-2<\/td>\n<\/tr>\n
D<\/td>\nmpegtsraw<\/td>\nFormat brut flux transport MPEG-2<\/td>\n<\/tr>\n
D<\/td>\nmpegvideo<\/td>\nVid\u00e9o MPEG brute<\/td>\n<\/tr>\n
E<\/td>\nmpjpeg<\/td>\nFormat multipart MIME JPEG<\/td>\n<\/tr>\n
D<\/td>\nmsnwctcp<\/td>\nFlux Webcam MSN TCP<\/td>\n<\/tr>\n
DE<\/td>\nmulaw<\/td>\nFormat PCM mu-law<\/td>\n<\/tr>\n
D<\/td>\nmvi<\/td>\nFormat Motion Pixels MVI<\/td>\n<\/tr>\n
DE<\/td>\nmxf<\/td>\nFormat Material Exchange<\/td>\n<\/tr>\n
E<\/td>\nmxf_d10<\/td>\nFormat Material Exchange, mappage D-10<\/td>\n<\/tr>\n
D<\/td>\nmxg<\/td>\nFormat clip MxPEG<\/td>\n<\/tr>\n
D<\/td>\nnc<\/td>\nFormat flux cam\u00e9ra NC<\/td>\n<\/tr>\n
D<\/td>\nnsv<\/td>\nNullsoft Streaming Video<\/td>\n<\/tr>\n
E<\/td>\nnull<\/td>\nFormat vid\u00e9o null brut<\/td>\n<\/tr>\n
DE<\/td>\nnut<\/td>\nFormat NUT<\/td>\n<\/tr>\n
D<\/td>\nnuv<\/td>\nFormat NuppelVideo<\/td>\n<\/tr>\n
DE<\/td>\nogg<\/td>\nOgg<\/td>\n<\/tr>\n
DE<\/td>\noma<\/td>\nSony OpenMG audio<\/td>\n<\/tr>\n
D<\/td>\npmp<\/td>\nFormat Playstation Portable PMP<\/td>\n<\/tr>\n
E<\/td>\npsp<\/td>\nFormat PSP MP4<\/td>\n<\/tr>\n
D<\/td>\npsxstr<\/td>\nFormat Sony Playstation STR<\/td>\n<\/tr>\n
D<\/td>\npva<\/td>\nFormat fichier et flux TechnoTrend PVA<\/td>\n<\/tr>\n
D<\/td>\nqcp<\/td>\nFormat QCP<\/td>\n<\/tr>\n
D<\/td>\nr3d<\/td>\nFormat REDCODE R3D<\/td>\n<\/tr>\n
DE<\/td>\nrawvideo<\/td>\nFormat vid\u00e9o brut<\/td>\n<\/tr>\n
E<\/td>\nrcv<\/td>\nFlux test VC-1<\/td>\n<\/tr>\n
D<\/td>\nrl2<\/td>\nFormat RL2<\/td>\n<\/tr>\n
DE<\/td>\nrm<\/td>\nFormat RealMedia<\/td>\n<\/tr>\n
D<\/td>\nrpl<\/td>\nFormat RPL\/ARMovie<\/td>\n<\/tr>\n
DE<\/td>\nrso<\/td>\nFormat Lego Mindstorms RSO<\/td>\n<\/tr>\n
DE<\/td>\nrtp<\/td>\nFormat de sortie RTP<\/td>\n<\/tr>\n
DE<\/td>\nrtsp<\/td>\nFormat de sortie RTSP<\/td>\n<\/tr>\n
DE<\/td>\ns16be<\/td>\nFormat PCM sign\u00e9 16 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\ns16le<\/td>\nFormat PCM sign\u00e9 16 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\ns24be<\/td>\nFormat PCM sign\u00e9 24 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\ns24le<\/td>\nFormat PCM sign\u00e9 24 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\ns32be<\/td>\nFormat PCM sign\u00e9 32 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\ns32le<\/td>\nFormat PCM sign\u00e9 32 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\ns8<\/td>\nFormat PCM sign\u00e9 8 bit<\/td>\n<\/tr>\n
DE<\/td>\nsap<\/td>\nFormat de sortie SAP<\/td>\n<\/tr>\n
D<\/td>\nsbg<\/td>\nScript battements binauraux SBaGen<\/td>\n<\/tr>\n
D<\/td>\nsdp<\/td>\nSDP<\/td>\n<\/tr>\n
E<\/td>\nsegment<\/td>\nMuxeur segment<\/td>\n<\/tr>\n
D<\/td>\nshn<\/td>\nShorten brut<\/td>\n<\/tr>\n
D<\/td>\nsiff<\/td>\nBeam Software SIFF<\/td>\n<\/tr>\n
DE<\/td>\nsmjpeg<\/td>\nLoki SDL MJPEG<\/td>\n<\/tr>\n
D<\/td>\nsmk<\/td>\nVid\u00e9o Smacker<\/td>\n<\/tr>\n
D<\/td>\nsol<\/td>\nFormat Sierra SOL<\/td>\n<\/tr>\n
DE<\/td>\nsox<\/td>\nFormat natif SoX<\/td>\n<\/tr>\n
DE<\/td>\nspdif<\/td>\nIEC 61937 (utilis\u00e9 sur S\/PDIF \u2013 IEC958)<\/td>\n<\/tr>\n
DE<\/td>\nsrt<\/td>\nFormat de sous-titres SubRip<\/td>\n<\/tr>\n
E<\/td>\nsvcd<\/td>\nFormat MPEG-2 PS (VOB)<\/td>\n<\/tr>\n
DE<\/td>\nswf<\/td>\nFormat Flash<\/td>\n<\/tr>\n
D<\/td>\nthp<\/td>\nTHP<\/td>\n<\/tr>\n
D<\/td>\ntiertexseq<\/td>\nFormat Tiertex Limited SEQ<\/td>\n<\/tr>\n
D<\/td>\ntmv<\/td>\n8088flex TMV<\/td>\n<\/tr>\n
DE<\/td>\ntruehd<\/td>\nTrueHD brut<\/td>\n<\/tr>\n
D<\/td>\ntta<\/td>\nTrue Audio<\/td>\n<\/tr>\n
D<\/td>\ntty<\/td>\nT\u00e9l\u00e9-imprimeur<\/td>\n<\/tr>\n
D<\/td>\ntxd<\/td>\nDictionnaire de Textures Renderware<\/td>\n<\/tr>\n
DE<\/td>\nu16be<\/td>\nFormat PCM non sign\u00e9 16 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\nu16le<\/td>\nFormat PCM non sign\u00e9 16 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\nu24be<\/td>\nFormat PCM non sign\u00e9 24 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\nu24le<\/td>\nFormat PCM non sign\u00e9 24 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\nu32be<\/td>\nFormat PCM non sign\u00e9 32 bit big-endian<\/td>\n<\/tr>\n
DE<\/td>\nu32le<\/td>\nFormat PCM non sign\u00e9 32 bit little-endian<\/td>\n<\/tr>\n
DE<\/td>\nu8<\/td>\nFormat PCM non sign\u00e9 8 bit<\/td>\n<\/tr>\n
D<\/td>\nvc1<\/td>\nVC-1 brut<\/td>\n<\/tr>\n
D<\/td>\nvc1test<\/td>\nFormat flux test VC-1<\/td>\n<\/tr>\n
E<\/td>\nvcd<\/td>\nFormat syst\u00e8me MPEG-1 (VCD)<\/td>\n<\/tr>\n
D<\/td>\nvfwcap<\/td>\nCapture vid\u00e9o VfW<\/td>\n<\/tr>\n
D<\/td>\nvmd<\/td>\nFormat Sierra VMD<\/td>\n<\/tr>\n
E<\/td>\nvob<\/td>\nFormat MPEG-2 PS (VOB)<\/td>\n<\/tr>\n
DE<\/td>\nvoc<\/td>\nFormat fichier vocal Creative<\/td>\n<\/tr>\n
D<\/td>\nvqf<\/td>\nNippon Telegraph and Telephone Corporation (NTT) TwinVQ<\/td>\n<\/tr>\n
D<\/td>\nw64<\/td>\nFormat Sony Wave64<\/td>\n<\/tr>\n
DE<\/td>\nwav<\/td>\nFormat WAV<\/td>\n<\/tr>\n
D<\/td>\nwc3movie<\/td>\nFormat film Wing Commander III<\/td>\n<\/tr>\n
E<\/td>\nwebm<\/td>\nFormat de fichier WebM<\/td>\n<\/tr>\n
D<\/td>\nwsaud<\/td>\nFormat audio Westwood Studios<\/td>\n<\/tr>\n
D<\/td>\nwsvqa<\/td>\nFormat VQA Westwood Studios<\/td>\n<\/tr>\n
DE<\/td>\nwtv<\/td>\nT\u00e9l\u00e9vision Windows (WTV)<\/td>\n<\/tr>\n
D<\/td>\nwv<\/td>\nWavPack<\/td>\n<\/tr>\n
D<\/td>\nxa<\/td>\nFormat de fichier Maxis XA<\/td>\n<\/tr>\n
D<\/td>\nxbin<\/td>\nTexte binaire \u00e9tendu (XBIN)<\/td>\n<\/tr>\n
D<\/td>\nxmv<\/td>\nMicrosoft XMV<\/td>\n<\/tr>\n
D<\/td>\nxwma<\/td>\nMicrosoft xWMA<\/td>\n<\/tr>\n
D<\/td>\nyop<\/td>\nFormat Psygnosis YOP<\/td>\n<\/tr>\n
DE<\/td>\nyuv4mpegpipe<\/td>\nFormat pipe YUV4MPEG<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n*Notez que les noms des encodeurs et d\u00e9codeurs ne correspondent pas toujours, donc il existe plusieurs cas o\u00f9 le tableau ci-dessus montre uniquement des entr\u00e9es encodeurs ou d\u00e9codeurs m\u00eame si l’encodage et le d\u00e9codage sont pris en charge. Par exemple, le d\u00e9codeur h263 correspond aux encodeurs h263 et h263p.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\tObtenez des r\u00e9ponses<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Surveillance des m\u00e9dias en streaming \u2014 Questions fr\u00e9quemment pos\u00e9es <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vous trouverez ci-dessous quelques-unes des questions les plus fr\u00e9quentes sur la surveillance des m\u00e9dias en streaming. Si vous avez d’autres questions, contactez-nous<\/a><\/span>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tQu'est-ce que la surveillance des m\u00e9dias en streaming ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

C’est une approche proactive pour superviser la performance, la disponibilit\u00e9 et les erreurs dans les flux audio ou vid\u00e9o, garantissant une exp\u00e9rience utilisateur fluide.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPourquoi est-il important de surveiller les m\u00e9dias en streaming ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

La surveillance continue identifie les goulets d\u2019\u00e9tranglement, pr\u00e9vient les interruptions et maintient la qualit\u00e9 du flux, am\u00e9liorant la satisfaction et l’engagement des utilisateurs.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tComment Dotcom-Monitor g\u00e8re-t-il la surveillance des vid\u00e9os et audios en streaming ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Notre agent se connecte \u00e0 votre serveur m\u00e9dia, met en m\u00e9moire tampon et lit le flux tout en recueillant des m\u00e9triques essentielles et en identifiant les erreurs potentielles.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tQuels types de formats m\u00e9dia sont pris en charge ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Dotcom-Monitor prend en charge un large \u00e9ventail de formats, y compris Windows Media Player, RealPlayer, vid\u00e9os bas\u00e9es sur Flash, et bien d’autres.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tComment puis-je \u00eatre alert\u00e9 des probl\u00e8mes en temps r\u00e9el ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Configurez des alertes pour des flux ou des actifs sp\u00e9cifiques. Avec la surveillance globale, recevez instantan\u00e9ment des notifications via plusieurs canaux de communication tels que l’e-mail, le SMS ou le t\u00e9l\u00e9phone.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tQu'est-ce qui rend la surveillance des m\u00e9dias en streaming de Dotcom-Monitor unique ? <\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Avec un suivi complet des m\u00e9triques, une surveillance globale et le support de nombreux codecs et formats, notre plateforme est id\u00e9ale pour les entreprises qui privil\u00e9gient l’exp\u00e9rience utilisateur et la qualit\u00e9 du streaming.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t